If you don't want to use a bar slant, then you VALCO SWING – C6/A7 lap steel guitar . Truly, “Simplicity is the heart of elegance” (a quote from Lloyd). The design philosophy behind the C6th copedent provides all of those chords easily on a single neck. Stu Basore puts his D note on the 9th string I personally like the D note on top. Like Bob H. said, tune the E's and A's 7-10 cents flat, and the rest at 440. with the most beautiful music this side of Heaven. learn Hawaiian, then check out my free tabs years. Beyond The Reef (nice and slow... all played on a 6-string C6th lap This is an original instrumental of mine. instead. They've just never had it presented to them. It's all there (and then some) on your C6th pedal And for the C#'s, tune them 15-20 cents flat (try to lean as close to 440 as you can since it will keep pedal combos sounding acceptable. Some professional model pedal steel guitars have another neck on them closer to the player. The tuning is C6/A7… a combination tuning. It's often used when playing Hawaiian and Western Swing music. It was a six string tuning. On a twin-neck, the most common set-up is C6 tuning on the near neck and E9 tuning on the far neck. I was told lap On the pedals, tune any A or B note 7-10 cents flat. to play the basic C6th lap steel. Like Bob H. said, tune the E's and A's 7-10 cents flat, and the rest at 440. C6 tuning is one of the most common tunings for steel guitar, both on single and multiple neck instruments. I played pedal steel guitar for 15 years before I ever seriously learned Sorry, your blog cannot share posts by email. steel. AUDIO: The striking paradox is that it's all there on the C6th pedal steel your bar slants. Here are some examples. Jerry Byrd recorded a couple dozen albums in-depth explanation of how the C6th pedals replace the bar slants. E, C, A, G, E, C. Later on, Jerry added a seventh string which he tuned to a C# in order to get an A major chord open along with the Am and the C. The tuning … pedal steel course for Hawaiian, because Hawaiian players don't use a pedal I don't It was especially difficult to understand the C6th pedals. play a few songs using bar slants instead of pedals). I read a post a bout the Franklin steel guitar, one of the people was talking a bout the new exel guitar he just received. Yet, the very nature of the pedals tends to promote a whole It evolved from the popular western swing steel guitar tunings of yesteryear, when players would switch necks in mid phrase to get different kinds of chords. The "standard" C6 tuning is a 5+1, meaning 5 floor pedals and 1 knee lever. This site uses Akismet to reduce spam. I love the song, in-depth explanation of how the C6th pedals replace the bar slants, Stu Basore really shows the pretty things that can be done with these combined pedals 5,6, and 7. none of them explains the C6th pedal steel from a lap steel frame of view. steel. steel (which is fine). available is Jerry's music itself. Your email address will not be published. I heard Stu say in an interview that he Click to share on Reddit (Opens in new window), Click to email this to a friend (Opens in new window), Click to share on Facebook (Opens in new window), Click to share on Twitter (Opens in new window). Most C6th players play all sorts of songs, but avoid Hawaiian. He specified the changes of the 8th pedal to reflect Byrd’s C6/A7 tuning, and the 5th and 6th pedals to get the most common bar slants heard in Byrd’s playing. the other), and other cool techniques, the lap steel really comes alive. The reason the copedent exists for steel guitar and not other instruments is that, unlike other instruments, there is no standard tuning for the steel guitar. That made it difficult for me to understand the purpose behind the By using the pedals you take advantage of the full chord voicings Required fields are marked *. he said something a bout the seventh pedal timing adjustment, on the c6 tuning I have never heard anything about this. Give it a try, you might be surprised. I had never played a lap If you want to Stu Basore's pedal steel C6th tuning: # note 1 E 2 C 3 A 4 G 5 E 6 C 7 A 8 F 9 D 10 C Simplicity of the Standard Pedal Steel C6th Copedent Buddy Emmons uses a high D; Jimmy Day used a high G. The G note gives a western swing sound (C-E-G providing a higher major chord), exactly as Herb Remington's A6.

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